FAQ — Projection Screens
Frequently asked questions about projection screens
A professional projection screen is a significant purchase. It's a technical decision that commits you to a specific space, budget, and viewing experience for years to come. There are many questions to consider, numerous variables to consider, and costly design flaws to correct after installation.
This FAQ compiles the 21 most frequently asked questions to the Multivision team from AV integrators, architects, engineering firms, venue managers, and discerning individuals. The answers are drawn directly from field experience accumulated on hundreds of projects in Belgium and internationally.
Each answer is designed for immediate use: no unnecessary jargon, no generic responses. Clear criteria, concrete examples, and systematic links to additional resources.
CATEGORY 1 — Selection & Configuration
1.1 How do I determine the correct screen size for my room?
1.2 · Motorized or fixed screen: which to choose?
1.3 · Front projection or rear projection?
CATEGORY 2 — Technical Specifications
2.1 What is the gain of a projection screen?
2.2 · White, grey or anthracite canvas: what's the difference?
2.3 · What is an acoustically transparent screen?
CATEGORY 3 — Installation & Integration
3.1 · How does a custom installation take place?
3.2 How to integrate speakers around the screen?
CATEGORY 4 — Budget & ROI
4.1 What budget should be planned for a motorized screen?
4.2 What are the manufacturing and delivery times?
4.3 · Projection screen vs LED screen?
CATEGORY 5 — Dynamic Architectures & Mechatronic Scenography
5.1 — Beyond screens, what other solutions does Multivision design?
5.2 — Can Multivision motorize curtains, acoustic dividers or mobile partitions?
5.3 — What is custom mechatronic scenography and in what cases should it be used?
CATEGORY 1
Choices & Configuration
Choosing the right type of screen, the right size and the right projection method for your space and use.
QUESTION 1.1
How do I determine the correct projection screen size for my room?
The size of a projection screen cannot be chosen from a catalogue. It is determined based on the available space, the seating arrangement, and the objective of the projection.
The first criterion: visibility for all spectators
The screen must be visible from every seat in the theater, from the front row to the back. This imposes two simultaneous constraints: the screen must be large enough for viewers further away to easily distinguish the content, and far enough back so that viewers closer don't experience visual distortion. A front row that's too close degrades the experience as much as a screen that's too small.
The second criterion: available perspective
The distance between the first row and the screen directly determines the maximum usable width. There's no universal formula, but one rule of thumb remains constant: the wider the screen, the greater the required viewing distance. For large-scale projects, our ratio calculator allows you to verify the consistency between screen widths and heights.
The third criterion: the use of the room
For a room dedicated exclusively to projection, such as a cinema , the screen can occupy almost the entire available wall. For a multi-purpose space or a corporate room , it is recommended not to saturate the wall: the space around the screen provides visual breathing room and also facilitates installation.
The fourth criterion: installation constraints
A screen positioned just a few centimeters from an adjacent wall is technically difficult to install correctly. This constraint is often underestimated during the design phase, but it can influence the choice between certain screen models, or between a fixed and a motorized screen , or even necessitate a revision of the dimensions.
In short
The size of a projection screen is determined by considering four parameters: visibility from all seats, the available viewing distance for the first row, the intended use of the room, and on-site installation constraints. There is no universal calculation; each project is evaluated individually.
Learn more: Motorized screens · Fixed screens · Ratio calculator · Contact us
Related questions:
Motorized or fixed, which to choose?
Front projection or rear projection?
How does a custom installation work?
QUESTION 1.2
Motorized or fixed projection screen: which should I choose for my project?
The choice between a motorized screen and a fixed screen depends primarily on the intended use of the room in which it will be installed. It's not primarily a question of budget, but rather a question of usage.
Fixed screen: the choice of dedicated rooms
When a room is dedicated exclusively to projection—cinema, permanent conference room, home theater—a fixed screen is the obvious choice. It offers optimal screen stability, simpler installation, and a lower cost than an equivalent motorized solution. There's no reason to add the complexity of a motor if the screen never needs to be retracted.
Motorized screens: the choice for multi-purpose spaces
Motorized screens become truly essential in multi-purpose venues. A dance studio that occasionally hosts screenings, a performance space that adapts its stage to different performers, a municipal multi-purpose hall that alternates between conferences and events: in these contexts, the ability to make the screen appear or disappear is a real functional advantage. Multivision offers several ranges of motorized screens tailored to these needs.
One point to consider regarding the budget
Motorized screens wider than 7 meters fall into a significantly higher price range due to the integrated motorization system and rolling mechanisms. Below this threshold, the cost difference remains reasonable. Above this threshold, the choice of a motorized screen must be fully justified by the need for versatility.
In short
A fixed screen is suitable for rooms dedicated exclusively to projection. A motorized screen is recommended for multi-purpose rooms where the screen needs to be able to retract between uses. Motorized screens wider than 7 meters require a larger budget.
Learn more: Motorized screens · Fixed screens · Stage space · Contact us
Related questions:
What size screen do I need for my room?
What budget should I plan for a motorized screen?
What is the lifespan of a motorized screen?
QUESTION 1.3
Front projection or rear projection: what are the differences and which choice should you make?
These two projection methods respond to radically different space and usage constraints. Understanding their logic helps avoid costly design errors that would need correcting after installation.
Frontal projection: the general case
This is the most common projection method. The projector is positioned facing the screen—on the ceiling, at the back of the room, or on a stand—and projects the image onto the reflective surface. This configuration offers great flexibility in the choice of projection screens and allows for working with varying distances depending on the projector's power.
Its only point of vigilance: the projection axis must remain clear. If people regularly pass between the projector and the screen — in an open exhibition area, a hall or a circulation space — the image is interrupted and the experience degraded.
Rear projection: the solution when the transition is unavoidable
In rear projection, the projector is placed behind the screen. The image passes through the surface and appears on the viewer's side. This setup completely eliminates interference caused by people walking in front of the screen. It is particularly well-suited to busy public spaces: showrooms, exhibition halls, theater or opera stages.
The main constraint: sufficient space must be available behind the screen to accommodate the projector. In traditional front projection, the screen is usually placed against a wall with no rearward clearance; with rear projection, this clearance becomes essential. The projection distance is often shorter—in which case a short-throw or ultra-short-throw projector is used—but the dedicated space remains non-negotiable.
The canvas also changes depending on the mode
Rear projection screens are distinct from front projection screens. They are designed to diffuse light forwards from the rear, with specific optical characteristics. Multivision offers solutions in both ranges, as well as screens adapted to each scenario.
In short
Front projection is the standard: the projector faces the screen, and the axis must remain clear. Rear projection places the projector behind the screen, eliminating interference from people passing by, but requiring available space behind the screen. Both methods require specific or modular projection screens.
Learn more: Projection screens · Custom development · Contact us
Related questions:
White, grey or anthracite canvas?
What is an acoustically transparent screen?
How does a custom installation work?
CATEGORY 2
Technical specifications
The key technical concepts that influence image quality.
QUESTION 2.1
What is the gain of a projection screen and how does it impact image quality?
Gain is a crucial parameter, but often overlooked in projection projects. Yet it is one of the most decisive factors in the image quality perceived by the viewer.
Definition: What is the profit from a canvas?
The gain of a projection screen measures its ability to reflect light back towards the viewer, relative to a matte white reference surface with a fixed gain of 1.0. It's not simply a measure of brightness; it's a measure of the direction in which the light is reflected. Available screens cover a gain range from 0.15 to 2.4, depending on the specific needs of each project.
Gain greater than 1 (1.4 to 2.4): more brightness, but a narrower viewing angle
A high-gain screen concentrates light towards the central projection axis. The image appears brighter for viewers directly in front of the screen, but the quality degrades for those positioned to the sides. This type of screen is suitable for dark rooms with few viewers at an angle: premium home theaters, narrow conference rooms, and frontal presentations.
Gain less than 1 (0.15 to 0.8): wide diffusion, ideal for large spaces
A low-gain screen diffuses light in all directions. The image is perceived uniformly from any position in the room. This is the preferred solution for large auditoriums, wide halls, or configurations with a wide audience dispersion. These screens are also used in rear projection , where the light passes through the screen rather than reflecting it.
Neutral gain (0.8 to 1.12): the reference equilibrium
A gain between 0.8 and 1.12 offers the best balance between color accuracy, image uniformity, and acceptable viewing angle. This is the range most commonly used in professional cinema and installations with demanding color rendering requirements.
An often overlooked point: the screen-projector compatibility
A screen's gain cannot be evaluated in isolation. A high-gain screen combined with an overly powerful projector will produce oversaturated colors and excessively deep blacks. Conversely, a low-gain screen with an undersized projector will result in a dull image. Matching the screen's characteristics to the projector's light output is essential for optimal image quality.
In short
The gain of a projection screen, ranging from 0.15 to 2.4, measures the direction in which light is reflected towards the viewer. A high gain concentrates the light towards the center axis and is suitable for dark and narrow rooms. A low gain diffuses the light evenly, making it suitable for large spaces and rear projection. A neutral gain (0.8 to 1.12) offers the best balance in professional cinema. The gain setting should always be chosen according to the projector's power.
Learn more: Projection screens · Cinema applications · Contact us
Related questions:
White, grey or anthracite canvas?
What is an acoustically transparent screen?
Front projection or rear projection?
QUESTION 2.2
What is the difference between white, grey or anthracite canvas for a projection screen?
The choice of color for a projection screen is not aesthetic. It is entirely determined by the lighting conditions of the room and the light output of the projector used.
The white canvas: the universal reference
White screen is the most widely used across all sectors. With a neutral gain close to 1, it reproduces colors faithfully without distortion. It is suitable for all rooms specifically designed for projection: cinemas , dedicated conference rooms, and auditoriums where ambient lighting is controlled. It is the classic, reliable, and most affordable choice. It is available in solid, perforated (0.9 mm), or micro-perforated (0.5 mm) versions for installations requiring an acoustically transparent screen, and is used exclusively for front projection.
Grey canvas: for brighter environments
Gray screens, whether classic or metallic, absorb some of the ambient light rather than reflecting it. This improves perceived contrast: blacks are deeper, colors more intense. They are recommended for environments where light control is limited: meeting rooms with windows, home theaters that aren't completely darkened, and bright corporate spaces. A trade-off to consider is that overall brightness is slightly reduced—a sufficiently powerful projector is therefore necessary. Among high-end gray screens, metallic surfaces like Clarus XC or Perlux are suitable for 3D projection , which explains their higher price point.
Anthracite canvas: for extreme contrasts
Dark gray screens, like Retro Grey, further accentuate contrasts. They are designed for premium installations where image depth takes precedence over brightness. Their use requires a projector powerful enough to compensate for their significant light absorption. These are specialist screens, reserved for projects explicitly requiring them.
In short
White screen, with its neutral gain, is suitable for rooms with controlled lighting and reproduces colors faithfully. Gray screen enhances contrast by absorbing ambient light, making it ideal for brighter environments. Anthracite screen maximizes contrast but requires a powerful projector. The choice depends on the room's lighting conditions and the projector's power, not on aesthetic preference.
Learn more: Projection screens · Cinema applications · Custom development · Contact us
Related questions:
What is the benefit of a projection screen?
What is an acoustically transparent screen?
What type of screen is suitable for a movie theater?
QUESTION 2.3
What is an acoustically transparent projection screen and in what cases should it be used?
An acoustically transparent screen, also called a sound-transparent screen, allows speakers to be placed behind the projection screen without affecting sound quality. It's a precise technical solution designed for installations where sound and visual immersion must work together.
How does it work?
The screen is perforated to allow sound waves to pass through. Two levels of perforation are available, depending on the project's acoustic and visual requirements: standard perforation at 0.9 mm, and micro-perforation at 0.5 mm, which further minimizes the visual impact of the holes on the projected image. In both cases, the perforation is designed to be invisible at the normal projection distance.
When to use it?
The use cases are specific and recurring in professional installations. In cinemas , theaters equipped with Dolby Atmos immersive sound or 360° systems place speakers behind the screen: acoustically transparent screens are then essential. In performance spaces —theaters, opera houses, concert halls—they allow the stage sound system to be concealed without compromising the projection. In premium home theaters, they meet the needs of projects requiring the complete invisibility of audiovisual equipment.
Limits to be aware of
Perforation is not possible on all screens. It is compatible with most front projection screens , with the exception of Cinopaque (white front/black back) and Green Screen screens. It is also incompatible with rear projection screens, whose optical structure does not allow perforation without degrading the image quality.
The choice of a perforated fabric must be considered from the initial project design phase, in conjunction with acoustic engineering. Multivision supports its clients in this regard as part of its comprehensive, end-to-end service.
In short
An acoustically transparent screen is a perforated (0.9 mm) or micro-perforated (0.5 mm) fabric that allows sound from speakers placed behind the screen to pass through. It is used in cinemas with immersive Dolby Atmos sound, in performance spaces to conceal sound systems, and in premium home theaters. Perforation is not compatible with all screens: it is excluded from rear projection screens and Cinopaque screens.
Learn more: Projection screens · Cinema applications · Stage space · Services
Related questions:
What is the benefit of a projection screen?
White, grey or anthracite canvas?
What type of screen is suitable for a movie theater?
CATEGORY 3
Installation & Integration
Addressing concerns about the complexity, compatibility and execution of an installation project.
QUESTION 3.1
How is the installation of a custom-made Multivision projection screen carried out?
A custom screen project follows a structured process, from the initial assessment to on-site commissioning. Each step is planned in advance to avoid unforeseen events, particularly on projects with multiple technical constraints related to space, placement, and mounting.
Before ordering: assessment and installation decision
From the initial quote stage, Multivision assesses who will perform the installation: the client, integration partners, or its own teams. For standard or small-format screens, integration partners, or even the end client, can carry out the installation independently; in this case, installation instructions are included in each package. For motorized roll-up or fixed screens over 12 meters wide, installation is always performed by a Multivision team, and this service is included directly in the quote. Multivision also trains certain partners to install its large screens through on-site training: only trained personnel are then authorized to install other Multivision screens.
After the order: production times and planning
An installation date is agreed upon with the client after the order is placed; we recommend scheduling it before the production phase, at least 3 weeks in advance. The date and duration vary depending on the type of screen and the project constraints. Production times are 3 weeks for screens less than 6 meters wide and 4 weeks for larger, standard screens; custom projects extend this timeframe. Delivery of the equipment is usually made the day before or the morning of installation, unless otherwise requested.
On-site assembly and commissioning
Depending on the size, there are two scenarios. For screens under 8 meters, assembly is done in the workshop: the screen arrives pre-packaged and is simply installed on-site. For larger formats over 12 meters wide, complete assembly is carried out on-site by the Multivision team, consisting of 1 to 3 installers depending on the project's scope. Commissioning—adjustments, checks, and tests—is performed by Multivision when its teams handle the installation. For fixed screens or small motorized models installed independently, telephone support is always available.
In short
The installation of a Multivision screen involves four phases: project assessment and selection of the installation method, production (4 weeks on average), delivery and on-site assembly, and commissioning. Motorized screens over 12 meters are always installed by Multivision teams. Trained integration partners can work independently on standard sizes.
Learn more: Services · Custom development · Motorized screens · Contact us
Related questions:
What are the manufacturing and delivery times?
How to integrate speakers around the screen?
What budget should I plan for a motorized screen?
QUESTION 3.2
How to integrate speakers and other audiovisual equipment around the screen?
The organization of space around a projection screen is a matter of overall design. It is not limited to the position of the speakers: it concerns the entire audiovisual system — light sources, cabling, control room equipment — and directly conditions the quality of the final experience.
The main principles of implementation
For large-scale projects—cinemas, performance venues, large conference halls—equipment integration is generally defined in the specifications provided by the client or the AV design office. Multivision then acts as the screen manufacturer and installer, working closely with the other trades. For smaller projects—home theaters, meeting rooms, medium-sized cultural spaces—Multivision can provide practical installation advice: speaker placement, managing the distance between the screen and the wall, and choosing between an acoustically transparent screen or a side-firing speaker configuration.
The case of speakers behind the screen
When a project plans to place speakers behind the screen—for immersive sound or visual discretion—two conditions must be met: the screen must be perforated or micro-perforated, and sufficient space must be provided behind the screen to house the speakers without compromising the projection. This point must be considered from the design stage, as it influences the screen mounting options . For example, an offset wall mount of 50 cm to 1 meter may be necessary to create the required space, which impacts the overall project cost.
Lighting and other equipment
Ambient light is the enemy of projection quality. Any serious integration project anticipates the need for lighting control: blinds, stage lighting, and the positioning of spotlights relative to the projection axis. Multivision incorporates these constraints into its support for complex projects.
In short
The integration of audiovisual equipment around a projection screen is managed from the design phase. To place speakers behind the screen, it must be perforated, and the screen mounting must allow for the necessary clearance. For large projects, the integration is defined in the AV specifications; for smaller projects, Multivision provides direct advice on the installation.
Learn more: Services · Projection screens · Custom development · Contact us
Related questions:
What is an acoustically transparent screen?
How does a custom installation work?
What budget should I plan for a motorized screen?
CATEGORY 4
Budget and ROI
Choosing the right type of screen, the right size and the right projection method for your space and use.
QUESTION 4.1
What budget should be allocated for a professional motorized projection screen?
There is no standard price for a professional motorized projection screen. The final cost results from the combination of several technical and functional parameters — fabric type, mounting type, corner type — each of which can significantly affect the overall budget.
The parameters that determine the price
The type of screen is the first differentiating factor. Fixed screens, manual or portable, require no motorization: they represent the most accessible range. Motorized screens incorporate a motor and a complete rolling mechanism, which mechanically raises the base cost.
Screen size (width × height) is the second major lever. Standard formats (16/9, 16/10, 4/3, 2.39/1) are the most common and the best controlled in production. Atypical formats, particularly those where height exceeds width, are not recommended: they generate risks of creasing and involve additional design costs with no guarantee of an optimal result.
The projection type — front or rear projection — influences the choice of fabric and therefore the budget: high-gain fabrics (above 1.2) are more expensive than standard-gain or rear-projection fabrics.
Fabric type is often the most underestimated cost variable. A standard white fabric remains in an accessible range. A metallized fabric, a 3D-compatible fabric such as Clarus XC or Perlux, or a high-performance fabric for bright environments entails significantly higher costs.
Mounting type also plays a role. Standard wall mounting is the most common and least expensive option. An offset mount — for example, 1 metre from the wall to accommodate loudspeakers — or a custom configuration (suspension, floor stands, ceiling mount) noticeably increases accessory costs.
Motorization itself can vary. Standard motorization remains within reasonable price ranges. Variable-speed or high-speed motorization, required when precise synchronization is imposed by the control room, is a custom solution at a considerably higher cost.
The right approach: a specification-based quote
Given these variables, the only reliable approach is to submit a precise set of specifications. Multivision analyses each project individually and provides a detailed quote that clearly itemizes each cost component. Contact us to obtain an assessment of your project.
In brief
The budget for a professional motorized projection screen depends on six cumulative parameters: screen type (fixed or motorized), dimensions, projection type (front or rear), fabric type, mounting system, and motorization. There is no standard price list: every project is costed on the basis of a precise specification.
Learn more: Motorized screens · Fixed screens · Projection fabrics · Contact us
Related questions:
What are the manufacturing and delivery lead times?
Projection screen vs. LED screen?
Motorized or fixed: which should you choose?
QUESTION 4.2
What are the manufacturing and delivery times for a custom-made projection screen?
Anticipating deadlines is essential for any project with a planned opening date, event, or renovation. Multivision works with structured timelines that vary depending on the project's complexity.
Production lead times: three levels
For screens less than 10 meters wide, the standard production time is 3 weeks. This represents the vast majority of projects handled by Multivision.
For motorized screens over 10 meters wide, a minimum of 3 to 4 weeks of production is required, excluding delivery. The mechanical complexity and manufacturing requirements of these large formats lengthen the cycle.
For fully customized designs and specific developments, the minimum lead time is 6 weeks.
When internal development is required — special motorization, atypical structure, complex integration — the average duration increases to 9 weeks or more.
Delivery times: depending on the destination
Shipping times are in addition to production time and depend on the carrier, not Multivision. For countries bordering Belgium, land delivery generally takes 1 to 2 days. For other European countries, it takes 2 to 5 days. Nordic countries take approximately one week. For international deliveries outside Europe, Multivision uses sea freight: an average delivery time of 2 months should be anticipated.
The golden rule: order with a margin
For any project with a fixed date—inauguration, venue opening, event—it is strongly advised to allow a safety margin of at least one week beyond the announced deadline. Logistical unforeseen events are rare but real, and a screen delivered the day before the event leaves no room for on-site installation .
In brief
Multivision production times are 3 weeks for standard screens under 10 meters, 3 to 4 weeks for large motorized formats, and 6 to 9 weeks for custom designs. Ground delivery times within Europe vary from 1 to 5 days depending on the destination. International sea freight takes an average of 2 months.
Learn more: Services · Custom development · Motorized screens · Contact us
Related questions:
What budget should I plan for a motorized screen?
How does a custom installation work?
What is the lifespan of a motorized screen?
QUESTION 4.3
What is the economic advantage of a projection screen compared to a giant LED screen?
The comparison between projection and LED comes up increasingly often among decision-makers, and it is a legitimate question. The two technologies are not systematically opposed, but they do not follow the same economic logic over time.
Acquisition cost: a significant gap
For an equivalent display surface, a large LED screen represents a substantially higher initial investment than a projector + projection screen system. The gap widens with size: beyond 6 to 7 metres wide, projection remains the only economically accessible technology for most institutional or corporate budgets.
Energy consumption: projection's lasting advantage
An LED screen is an active light source: it consumes energy continuously, proportionally to its surface area. A projection system only consumes the energy of the projector, regardless of screen size. Over the lifetime of a room, this difference represents a significant operational cost.
Longevity: a strong argument for projection
Multivision projection screens are built to last: installations completed 20 years ago are still in service in Belgium today. The motorization carries a 5-year warranty and its lifespan generally exceeds 10 years under normal use. The fabric, warranted for 2 years, can be replaced independently of the structure, extending the overall service life without a full replacement. An LED screen, by contrast, is a monolithic solution: in the event of partial failure, repair is complex and costly.
Maintenance: virtually none for projection
Beyond periodic fabric replacement and routine projector servicing, a projection system generates virtually no maintenance costs over its lifetime. This is a considerable advantage for operators looking to minimize running costs over 10 to 15 years. Learn more about the services and support offered by Multivision.
When LED screens nonetheless prevail
Projection has its limits. In very bright environments where light control is not possible, in permanent outdoor installations, or when the light source must be integrated into furniture or architecture, an LED screen may be the only viable option. The comparison must always be made case by case, based on the total cost of ownership (TCO) over 10 years. Contact us for a personalized analysis.
In brief
For an equivalent surface area, a projection system is significantly less expensive to purchase than an LED screen. It consumes less energy, requires little maintenance, and can last more than 20 years with a fabric that is replaceable independently of the structure. LED screens prevail in very bright or outdoor environments. For large indoor formats, projection offers the best value for money over time.
Learn more: Motorized screens · XXL screens · Services · Contact us
Related questions:
What budget should I plan for a motorized screen?
What is the lifespan of a motorized screen?
How do I maintain a projection screen?
CATEGORY 5
Dynamic architectures & mechatronic scenography
Multivision's mechanical expertise extends beyond projection: motorized elements that transform space and custom mechatronic scenographies.
QUESTION 5.1
Beyond screens, what other solutions does Multivision design?
While projection screens are at the historical heart of Multivision, our expertise extends far beyond them. Our design office, our mastery of motorization, and our custom manufacturing also allow us to develop dedicated mechanical solutions, grouped into two main complementary categories.
The common denominator: a motorized mechanism mastered from start to finish
Whether it is a screen, a curtain or stage machinery, the logic remains the same.
Each project begins in the design office, where Multivision develops a system fully tailored to the client's specifications, both functionally and technically. Once the solution is approved, the company manages its implementation from start to finish, developing and manufacturing all the components: aluminum profiles, screens, housings, motors, control boards, and even specific mechanical parts. This complete control of the process guarantees reliable, customized solutions, even in the most demanding technical environments.
First category: dynamic, motorized architectures
Elements that transform a space in seconds: blackout curtains, acoustic dividers, movable partitions, technical blinds. The motorization and engineering developed for screens are directly applicable to them. This category is detailed in question 5.2.
Second category: custom mechatronic scenography
Complex motorized architectures integrated into a scenography: stage machinery, lifting systems, controlled structures. This is the territory where no catalogue solution exists, addressed in question 5.3.
When should Multivision be used beyond the screen?
Whenever a project relies on a precise and reliable mechanical movement that standard products cannot cover, AV integrators, architects, and scenographers turn to Multivision precisely at that moment: when the need falls outside the catalog.
In short
Beyond projection screens, Multivision designs two families of custom-made motorized mechanical solutions: dynamic architectures (curtains, acoustic separators, mobile partitions, technical blinds, etc.) and mechatronic scenography (show machinery, lifting systems, controlled structures, etc.).
Behind each of these projects lies the same approach: analyzing the client's needs, designing a system that precisely meets their specifications, and then manufacturing it in Belgium. Multivision steps in when existing market solutions no longer meet the project's requirements.
Learn more: Custom development · Inspiration · Company · Contact
Related questions:
Curtains, dividers, motorized partitions?
What is mechatronic scenography?
Why choose Multivision?
QUESTION 5.2
Can Multivision motorize curtains, acoustic dividers or movable partitions?
Yes. Beyond projection screens, Multivision has developed genuine expertise in dynamic architectures. By leveraging the same skills in design and motorization, the company creates systems capable of transforming or modulating a space according to the project's needs.
What dynamic architectures encompass
Four types of solutions are frequently used: motorized blackout curtains, acoustic room dividers, movable partitions, and technical blinds. Each is custom-designed according to the project's dimensions, environment, and control method. This list is not exhaustive, however: whenever a project requires specific motorized mechanics, Multivision can design and manufacture a solution entirely tailored to the client's needs.
The principle: to transform a space in a few seconds
Where a fixed structure imposes a single configuration, a motorized element appears or disappears on demand. This offers real architectural flexibility in multipurpose rooms, performance spaces, and venues that change use throughout the day.
The motorization: a speed adapted to the need
Multivision develops its own motors in-house, with variable speeds depending on the application: from smooth and silent winding to rapid movement, on the order of meters per second, when a stage effect demands it. Speed is not a standard, imposed parameter: it is determined on a project-by-project basis.
Steering: integrating with the existing system
Like the mechanical solutions themselves, their control is entirely tailored to the project. Multivision develops each system to integrate seamlessly with the existing control infrastructure, whether it's a stage control room, a building management system, or a home automation system. The goal is to adapt to the client's operational habits, not to impose a new interface.
A concrete reference
The supply of 22 motorized partition curtains for the Paris Arena, for the Paris 2024 Olympic Games, marked a significant milestone in Multivision's development. This project validated, on a large scale, the company's expertise in the design, manufacturing, and integration of custom motorized systems. It also confirmed the potential of this market and reinforced Multivision's commitment to expanding this expertise beyond its core business of projection screens.
In short
Multivision designs, manufactures and installs all kinds of mechatronic solutions: blackout curtains, acoustic dividers, mobile partitions and custom-made motorized technical blinds.
These dynamic architectures transform a space in seconds and rely on internally developed motors with speeds adapted to the need. They integrate with existing control systems (DMX, Crestron, dry contacts, home automation).
Reference: 22 motorized partition curtains for the Paris Arena during the Paris 2024 Olympic Games.
Learn more: Custom development · Stage space · Services · Contact
Related questions:
What is mechatronic scenography?
What automation systems?
Beyond screens, what solutions are there?
QUESTION 5.3
What is custom mechatronic scenography and in what cases should it be used?
Custom mechatronic scenography refers to complex motorized architectures integrated into a scenography: systems where mechanical movement is part of the desired effect. Developed alongside its historical activities, this expertise is now one of Multivision's major areas of development and reflects its ability to design tailor-made technical solutions.
What mechatronic scenography covers
Beyond screens and curtains, these are stage machinery systems, lifting systems, and controlled mechatronic structures. These devices are designed for a specific location and effect, where no off-the-shelf solution exists.
In what cases should it be used?
Multivision intervenes whenever a project requires a custom-designed motorized system to meet specific movement requirements. This could involve an immersive experience in an amusement park, a stage effect in an opera house or theater, or even the transformation of a space during a major event. The key factor is not size, but the complexity of the movement to be controlled and adherence to the scenographic constraints.
The role of the design office: continuity between design and installation
The reliability of a mechatronic stage design relies on a seamless process. The team that designs the mechanism is also the one that validates it during manufacturing and verifies it on site. This continuity guarantees compliance with specifications and stage safety standards, in environments where errors cannot be corrected after installation.
In short
Custom mechatronic scenography encompasses all motorized systems specifically developed to bring a scenography to life or transform a space. This can include stage machinery, mobile structures, lifting systems, or any other mechanism that meets a specific need. When existing solutions fail to meet the specifications, Multivision designs a completely bespoke system, tailored to the project's technical, aesthetic, and functional constraints. This mastery of design, manufacturing, and installation guarantees reliable results, even for the most demanding applications.
Learn more: Custom development · Theme park · Performance space · Inspiration · Contact
Related questions:
Curtains, dividers, motorized partitions?
Extra-large screen for a big event?
How does an installation take place?